Canon Angle Finder C Lens

Canon Angle Finder C Review

The Canon Angle Finder C serves two primary purposes. The first and most commonly served purpose is to create a more comfortable viewing angle when shooting with the camera low or at an awkward angle (such as when shooting upward). The second is to help the photographer to obtain precise manual focus through its 2.5x magnification feature.

Supplied with Finder Adapters Ec-C and Ed-C, the Canon Angle Finder C will fit any EOS camera (and many other brand film and digital SLRs) by replacing the standard eyecup. Squeeze the eyecup to release the catch and slide it up - slide the AF-C back into the eyecup's position and it is ready to go.

Once in place, look into the eyepiece and adjust the Angle Finder C's diopter correction until the camera's focus screen is sharp. A liberal amount of diopter correction is available - Most of the eyepiece side of the angle rotates and extends up to .4" (10mm) during correction. At this point, if set to the 1.25x setting, the Canon Angle Finder C will show a compete view of the camera's viewfinder including the shot settings information even on a full frame body.

At the 2.5x setting, the Canon Angle Finder C magnifies the viewfinder image - but crops the left and right sides from a 1.6x FOVCF viewfinder and all 4 sides from a full frame viewfinder - leaving only a round image. The advantage of the higher magnification setting is that critical manual focusing is much easier.

The Canon Angle Finder C's eyepiece rotates 360 degrees around the camera viewfinder with positive detents at 45 degree increments - but it is limited a 90 degree orientation to the camera viewfinder. This 90 degree viewfinder angle makes shooting from difficult angles easy. Shooting with the camera on the ground gives a unique perspective to your subjects. Macro photographers are common users of this technique. Sports photographers will at times capture their action from ground. Telescope-connected cameras will frequently have an AF-C attached to them. If you are shooting upward, this device will make your life much easier. Anyone who is tired of squatting down to look through a low-tripod-mounted camera will appreciate an Angle Finder C.

Even eyeglass wearers will find the Canon Angle Finder C comfortable to use. Eye relief is good and the rubber eyecup can be rolled down. Everyone will appreciate the good optical quality. The AF-C provides a normally-oriented image to the viewer (lesser angle finders deliver an upside-down image).

The Canon Angle Finder C is solidly built and features metal connections. It weighs 4.4 oz (124.7g) and measures 3.5" x 2.5" x 1.5" (89mm x 63.5mm x 38.1mm) - small and light. A nice padded pouch is included.

This device is not for everyone, but many of us can find more than one great use for the Canon Angle Finder C.

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Canon Powershot S 90

Canon Powershot S 90 reviews and Specifications



It’s tempting to accuse Canon of some false advertising with the Canon PowerShot S90 digital camera. Here it sits, an innocent looking point-and-shoot when in fact it’s bristling with sophistication and functionality that advanced users will almost certainly swoon over.

Terrific F/2.0 Lens
The first thing that needs to be said of the S90 is it has exceptional optics. The good news is that Canon went with a wide-angle (28mm equivalent) lens for an overall zoom capability of 3.8x.

Wide-angle lenses are still an underappreciated asset, but it truly enhances the photographic experience, allowing the camera to swallow up much more of the scene in front of you. It also has optical image stabilization, which is always a plus (and pretty much a commonplace).

The better news is Canon used a lens with an aperture of f/2.0. In layman’s terms, the lens allows much more light into the camera than traditional point-and-shoot lenses – enabling the S90 to take better photos in low light.

Canon paired this bright lens with some noise-fighting camera processing to deliver solid low light performance. You can set the ISO yourself to a maximum of 3,200 or set the camera to low light mode and let it attempt the best photo possible when the lights go dim.

Excellent Photo Quality
Canon purposefully dialed back the number of pixels on the S90’s 1/1.7-inch image sensor to further boost low light performance (there tends to be less “noise” in a camera when the pixels on an image sensor are larger).

Still, 10-megapixels is nothing to sneeze at and the S90 puts them to good effect with sharp, color accurate images in most shooting environments.

Type of Camera
Type of Camera	Compact digital still camera with built-in flash, 3.8x Optical/4x Digital (not w/RAW or Widescreen)/15x Combined Zoom with Optical Image Stabilizer System

Image Capture Device
Type	10.0 Megapixel, 1/1.7-inch type Charge Coupled Device (CCD)
Total Pixels	Approx. 10.4 Megapixels
Effective Pixels	Approx. 10.0 Megapixels

Lens
Focal Length	6.0 (W)-22.5mm (T) f/2.0-4.9 (35mm equivalent: 28-105mm)
Digital Zoom	4x
Focusing Range	Auto: 2.0 in./5cm-infinity (W), 12 in./30 cm-infinity (T) Normal: 1.6 ft.-infinity/50cm-infinity Macro: 2.0 in.-1.6 ft./5-50cm (W)
Autofocus System	TTL Autofocus

Viewfinder & Monitor
Viewfinder	N/A
LCD Monitor	3.0-inch TFT color with wide viewing angle
LCD Pixels	Approx. 461,000 dots
LCD Coverage	100%

Aperture and Shutter
Maximum Aperture	f/2.0 (W) - f/4.9 (T)
Shutter Speed	15-1/1600 sec. (settable in Tv and M)

Exposure Control
ISO Sensitivity	Auto, ISO 80/100/125/160/200/250/320/400/500/640/800/1000/1250/1600/2000/2500/3200 equivalent (Standard output sensitivity. Recommended exposure index)
Light Metering Method	Evaluative*, Center-weighted average, Spot** *Facial brightness is also evaluated in Face Detect AiAF ** Metering frame is fixed to the center/linked to AF frame
Exposure Control Method	Program AE, i-Contrast, Manual; AE Lock, Program Shift, Safety Shift, Auto ISO Shift
Exposure Compensation	+/-2 stops in 1/3-stop increments

White Balance
White Balance Control	Auto*, Preset (Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H, Flash, Underwater), Custom *The colors of faces are evaluated in AiAF

Flash
Built-in Flash	Auto, Auto w/ Red-eye Reduction, Flash On, Flash On w/ Red-eye Reduction, Flash Off; FE lock, Safety FE, Slow Synchro
Flash Range	1.6-21 ft./50cm-6.5m (W), 1.6-8.2 ft./50cm-2.5m (T) (when sensitivity is set to ISO Auto)
Recycling Time	10 sec. or less (battery voltage=3.7V)
Flash Exposure Compensation	+/-2 stops in 1/3-stop increments

Shooting Specifications
Shooting Modes	Auto, P, Av, Tv, M, C, Portrait, Landscape, Special Scene (Foliage, Snow, Beach, Sunset, Fireworks, Aquarium, Night Scene, Indoor, Color Accent, Color Swap, Kids & Pets, Underwater, Nostalgic), Night Snapshot, Stitch Assist, Low Light, Movie
Photo Effects	My Colors My Colors Off, Vivid, Vivid Blue, Vivid Green, Vivid Red, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Custom
Self-Timer	Activates shutter after an approx. 2-sec./10-sec. delay, Face Detection Self-timer, Custom
Wireless Control	Not available
Continuous Shooting	Normal: approx. 0.9 fps; AF: approx. 0.6 fps; LV: approx. 0.6 (Low Light: 2.1 fps)

Image Storage
Storage Media	SD/SDHC Memory Card, MultiMediaCard, MMCplus Card, HC MMCplus Card
File Format	Design rule for camera file system, DPOF Version 1.1
Image Compression	Normal, Fine
JPEG Compression Mode	Still Image: Exif 2.2 (JPEG) Movie: MOV (Image: H.264; Audio: Linear PCM (Stereo))
Number of Recording Pixels	Still Image: 3,648 x 2,736 (Large), 2,816 x 2,112 (Medium 1), 2,272 x 1,704 (Medium 2), 1,600 x 1,200 (Medium 3), 640 x 480 (Small), 3,648 x 2,048 (Widescreen), 3,648 x 2,736 (RAW), 1,824 x 1,368 (Low Light)

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Sigma Lens 17-70mm F2.8-4 DC MACRO OS HSM

Sigma stabilizes 17-70mm fast normal zoom
Reviews And Specifications

Sigma has added its Optical Stabilization system to its popular 17-70mm fast standard zoom lens. The 17-70mm F2.8-4 DC Macro OS HSM will be available in Canon, Nikon, Sony, Pentax and Sigma mounts. The latest version offers a slightly wider aperture at the long end of the zoom though gains weight and length and has a slightly reduced maximum magnification ratio. Adding image stabilization to a lens that already combines a comparatively fast maximum aperture range is likely to make it an even more tempting replacement for the kit lenses supplied with most DSLRs.

Large aperture standard zoom lens designed for digital SLR cameras.

• Minimum focusing distance of 22cm at all focal lengths
• Integrated Optical Stabilisation system
• Aspherical and ELD glass elements
• Large aperture of F2.8 at the wide angle setting
• Hyper Sonic Motor (HSM) ensuring silent, high-speed AF*
  

The Sigma Corporation is pleased to announce the new Sigma 17-70mm F2.8-4 DC MACRO OS HSM.

This large aperture standard zoom lens offers an aperture of F2.8 at the 17mm focal length and is ideal for many situations such as portraits, sports, macro and general photography. The OS (Optical Stabiliser) function offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. For Sony and Pentax mount, the built-in OS function of this lens can be used even if the camera body is equipped with an anti-shake function. As the compensation for camera shake is visible in the view finder, the photographer can easily check for accurate focus and ensure there is no subject movement. The maximum aperture of F2.8 produces an attractive background blur and improves autofocus speed.

This lens has a minimum focusing distance of 22cm (8.6 inches) throughout the entire zoom range and maximum magnification ratio of 1:2.7, making it ideal for close-up photography. It is possible to focus as close as approximately 4.7cm from the tip of the lens to the subject making this lens particularly useful for close-up photography.

Three aspherical lenses and one ELD (Extraordinary Low Dispersion) glass element provide excellent correction for all types of aberrations. High image quality is assured throughout the entire zoom range. The Super Multi-Layer Coating reduces flare and ghosting and provides high contrast images. The incorporation of HSM (Hyper Sonic Motor) ensures a quiet and high speed AF. This lens has a rounded 7 blade diaphragm which creates an attractive blur to the out of focus areas of the image. The inner focusing system eliminates front lens rotation, making the lens particularly suitable for using the supplied petal-type lens hood and circular polarising filters.

*Autofocus on Pentax version only available on K10D and newer bodies offering HSM/SDM support.

Sigma 17-70mm F2.8-4 DC Macro OS HSM specifications

Focal length	17-70mm
Diagonal Angle of view	72.4º - 20.2º
Maximum aperture	F2.8 - F4.0
Lens Construction	17 elements/13 groups
Number of diaphragm blades	7
Minimum focus	22 cm
Maximum Magnification Ratio	1:2.7
Image stabilization	• Yes
Filter thread	• 72mm
Supplied accessories	• Front and rear caps • Bayonet-type Lens Hood
Weight	520g (1.15 lb)
Dimensions	79mm diameter x 89mm length (3.1 x 3.5 inches)
Lens Mount	Sigma AF, Nikon AF, Canon AF, Pentax AF, Sony AF

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Lense AF-S NIKKOR 300mm f/2.8G ED VR II

AF-S NIKKOR 300mm f/2.8G ED VR II

Lense AF-S NIKKOR 300mm f/2.8G ED VR II reviews and Specificications

Nikon Europe today announces a new super telephoto lens to replace the AF-S VR NIKKOR 300mm f/2.8G IF-ED. The AF-S NIKKOR 300mm f/2.8G ED VR II features the new generation of Vibration Reduction technology (VR II) and a new A/M focus mode, making it an ideal choice for sports, action and wildlife photographers. This lens is designed for those who are serious about photography.

Zurab Kiknadze, Product Manager Lenses, Accessories & Software, Nikon Europe says: "The AF-S NIKKOR 300mm f/2.8G ED VR II comparatively light weight and compact dimensions make it a perfect choice for hand held super telephoto photography, particularly when used with a teleconverter. The new VRII system offers four or more stops of compensation, and makes this a really practical solution for the news and wildlife photographer". The evolution of the NIKKOR lens reflects a commitment to developing a range of products tailored to photographers’ needs, and it strengthens the line-up of high-performance NIKKOR lenses.

Sharper action images
The AF-S NIKKOR 300mm f/2.8G ED VR II features the second generation built in Vibration Reduction (VRII), providing the ability to shoot at shutter speeds up to four stops slower so sharper images can be achieved when using the camera for hand-held shooting. In addition, the new A/M mode added to existing M/A and M modes enables autofocus priority even if the focus ring is being handled during shooting. Weighing in at 2,900g this is a lens that ticks every box for those who are serious about action photography.

Built for any environment
This super telephoto lens is designed with the photographer in mind and has the same excellent optical system as its predecessor. Those who need extreme speed and quiet to capture wildlife, can rely on the autofocus with a built-in silent wave motor to ensure you won’t disrupt the action. To top off the extensive features,, this lens is also sealed to withstand the affects of dust and moisture, allowing photographers to keep shooting whatever the conditions. Finally, the lens construction features eleven elements in eight groups, including three ED glass elements and Nano Crystal Coat.

Nikkor AF-S Nikkor 300mm f/2.8 EC VR II specifications

Focal length	300mm
Diagonal Angle of view	8.2º
Maximum aperture	F2.8
Lens Construction	11 elements/8 groups
Number of diaphragm blades	9
Minimum focus	2.3 m (AF) 2.2 m (MF)
Filter thread	• 52mm
Weight	2,900g (102.3 oz)
Dimensions	124mm diameter x 268mm length (4.9 x 10.5 inches)

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Panasonic Lumix DMC-GH1 SLR Digital Camera

Panasonic Lumix DMC-GH1 digital SLR camera

Panasonic's Lumix Reviews And Specifications. Panasonic Lumix DMC-GH1 is a Micro Four Thirds–based advanced digital camera that accepts interchangeable lenses (much like a digital SLR camera). It has an absolute glut of manual and automatic features.

The Lumix DMC-GH1 is not as big as a traditional digital SLR camera, nor does it have a traditional optical viewfinder. Instead, it relies on an electronic viewfinder (called a LiveViewFinder or LVF). Its relatively compact size makes it a suitable for anyone who wants similar capabilities to a digital SLR but not the bulky size.

This is Panasonic's second Micro Four Thirds digital camera. The first was the Lumix DMC-G1K.There is not a lot of difference between the two cameras. The Lumix DMC-GH1 is slightly taller (89mm as opposed to 83mm) and it has a slightly higher resolution (4352x3000 as opposed to 4000x3000). The cameras have similar sized sensors and they share the same physical layout; the main difference is that the Lumix DMC-GH1 is capable of Full HD video recording. This makes the Lumix DMC-GH1 an attractive proposition for users who want an advanced camera with interchangeable lenses that can shoot both video and stills.

The Panasonic Lumix DMC-GH1 has a 12.1-megapixel Live MOS sensor (with a native 4:3 aspect ratio) that sits directly behind the lens mount. Light travels through the lens and hits the sensor directly, rather than bouncing off a mirror as it would in a traditional digital SLR. To frame your pictures you can use either the LCD screen (which flips out towards the left of the camera and also swivels) or you can use the LVF. When you use the LVF, the LCD screen automatically switches off.

We tested the Lumix DMC-GH1 with its kit lens: the Lumix G Vario HD 14-140mm/F4.0-5.8 ASPH./MEGA O.I.S. It's a mouthful of a name, but it gives the Lumix DMC-GH1 great versatility, with a 10x optical zoom that can shoot at a wide angle of 28mm and zoom in to 280mm (35mm equivalent). The lens has optical image stabilisation (image stabilisation is not built into the camera's body) and it does a great job of capturing wide and zoomed-in images with plenty of clarity and smoothness.

The Lumix DMC-GH1 takes very crisp shots as long as you focus accurately. It has autofocus (including continuous autofocus), focus tracking, face recognition, manual focus and spot focus modes. Manual focus mode blows up the centre of the image on the screen so that you can make delicate adjustments to focus, and reverts to showing the entire image on the screen once after you finish focussing. It takes a little getting used to, but it's effective. In spot mode, you can use the arrow keys to set the focus point almost anywhere on the screen. To access this function, you have to press the focus button on the back of the camera, and then the down arrow.

In video mode, the camera can shoot at a resolution of 1920x1080 (Full HD). The footage it captures won't be ultra-smooth if you take a lot of action and fast-panning shots. Footage looks choppy if you pan quickly, and this will be exacerbated if you use the maximum zoom. However, the camera is capable of capturing very crisp and vibrant video. It can focus automatically when you zoom, but it does take a few seconds to find its range. Recordings can be initiated in any mode by pressing the red button on the back of the camera. There is a port for an external microphone.

Panasonic's Micro Four Thirds line-up gets its second model in the Lumix DMC-GH1. It's a very good quality camera for taking stills and also does very well when shooting high-definition video. However, at $3299, it's quite expensive so only go for it if you absolutely must have the HD recording capability.

Taken From Manythings.

Canon PowerShot SX20IS 12.1MP

Canon PowerShot SX20IS 12.1MP



Canon PowerShot SX20IS 12.1MP reviews and specifications

Discover the HD difference. With the classically stylish PowerShot SX20 IS, you can produce magnificent HD movies and dazzling photos. Loaded with features, it’s got a high-powered 20x wide-angle optical zoom with Optical Image Stabilizer, 12.1 megapixels, a big 2.5-inch Vari-Angle LCD, Blink Detection and more.

The PowerShot SX20 IS is equipped with many of the same features as a higher-end camera: an ultra-powerful zoom, eye-popping resolution and advanced picture-improving technology. 12.1 megapixels of resolution gives your photography incomparable depth and ensures that any section of any shot can be enlarged and cropped with no loss in quality when you edit the image even if you choose to print the image. It can create crisp, clear 13 x 19-inch posters.

PowerShot SX20 IS Highlights

Canon PowerShot SX20 highlights
20x optical zoom in action
20x wide-angle optical zoom with Optical Image Stabilizer
The PowerShot SX20 IS is equipped with a 20x Optical Zoom lens with a focal length of 5.0-100mm (35mm equivalent: 28-560mm) that allows you to shoot any scene from wide-angle to telephoto. The camera uses a VCM (Voice Coil Motor) for high-speed, quiet, energy-efficient lens movement with precise control. Focal length is conveniently indicated on the lens barrel.

Canon PowerShot SX20 highlights

The lens is optimized to fully exploit its zoom length and wide shooting angle in concert with the camera’s high 12.1 Megapixel resolution. UD glass effectively suppresses chromatic aberration, while enhanced negative refractive power ensures that distortion at the wide-angle is also corrected. Further aberration is controlled with the inclusion of a double-sided aspherical glass-molded lens and ultra-high refraction index lens.

The SX20 IS is equipped with Canon’s acclaimed Optical Image Stabilizer Technology that automatically detects and corrects camera shake--one of the leading causes of fuzzy or blurred shots. Even when zoomed in, you can get the steady, crisp, brilliant images you’ll be proud to shoot and share. And Canon’s Optical Image Stabilizer Technology is convenient to use. It functions perfectly with or without a flash.

Use the optical zoom while shooting superb 720p HD movies with stereo sound
Canon PowerShot SX20 highlights

If you long for the convenience of an advanced still camera that also creates superb movies, the new PowerShot SX20 IS lets you record video in beautiful high definition (1280 x 720 pixels). The camera also makes it easy to enjoy HD movies (and still photos) on your HDTV with a mini-HDMI connector for direct connection to a high-definition monitor. You'll enjoy the HD experience with no degradation of image or audio in the signal, plus the ability to display up to 130 thumbnails at once.

Improved Smart AUTO intelligently selects the proper settings
Just set the Canon PowerShot SX20 IS to Smart AUTO and you're ready for maximum enjoyment from your picture taking every time. It's a relaxing and satisfying way to shoot because you can completely concentrate on your subject knowing that the camera has the technical details covered. Advanced Canon technology intelligently analyzes your situation and shooting conditions. Then it automatically selects an appropriate setting from 22 specially defined settings. So whether you're photographing flowers, a captivating sunset, or your friends at the park, you can be confident that you're getting dramatic, memorable images.

Shooting Modes
Advanced presets for the best possible photos under certain conditions. With 24 Shooting Modes, you're ready for whatever shot comes your way.

DIGIC 4 Image Processor
Canon’s proprietary DIGIC Image Processors have long set its cameras apart from the competition, and the new DIGIC 4 sets the bar even higher. Faster, more accurate noise reduction delivers better image quality, even at high ISO speeds.

iSAPS Technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the advanced DIGIC 4 Image Processor to improve focus speed and accuracy, as well as exposure and white balance.

Canon PowerShot SX20 highlights

Large 2.5-inch Vari-Angle LCD enables easy viewing
The camera’s 2.5-inch LCD screen gives you the big picture, whether you’re shooting, reviewing or showing off your images. This high-resolution screen offers a crisp, clear picture to make shooting, playback and using the camera’s menu functions especially convenient. Clear and bright, it also features Night Display for easy viewing in low light. It also has an electronic viewfinder that provides sharp images when you shoot close-up with Super Macro shooting mode.

This AA battery powered camera enables you to easily power up
Conveniently, you don’t need to worry about running out of batteries or having to recharging them. Since AA-size batteries can be purchased at any store, simply get new ones locally wherever you go--no special power adapters or chargers are needed.

What's in the Box

* PowerShot SX20 IS Body
* AA-size Alkaline Battery (x4)
* Neck Strap NS-DC4
* Lens Hood LH-DC50
* Lens Cap
* Digital Camera Solution CD-ROM
* USB Interface Cable IFC-400PCU
* Stereo Video Cable STV-250N


Product Description
With a 20x wide-angle zoom, the 12.1-megapixel PowerShot SX20 IS offers intelligent, versatile shooting power. Switch to Smart Auto mode for effortlessly great results, or shoot stunning HD movies.
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Nikon D700 12.1MP Digital SLR Camera

Nikon D700 12.1MP Digital SLR Camera

Nikon D700 Digital SLR Reviews And Specifications

The legendary Nikon FX-Format CMOS sensor The D700’s 12.1-megapixel FX-format CMOS image sensor provides exceptional image quality throughout its remarkable ISO sensitivity range. A large pixel size of 8.45 µm allows for an extremely low signal-to-noise ratio and a wide dynamic range. The 12-channel readout enables accelerated information transfer, allowing the D700 to shoot at speeds of up to eight frames per second at full resolution (using the optional MB-D10 Multi Power Battery Pack) and quickly write image data onto the CompactFlash card.

The D700 offers a versatile base ISO range from 200-6400 but can be expanded to range from ISO 100 (Lo-1) to 25,600 (Hi-2) affording photographers the new-found confidence to shoot in the widest variety of lighting conditions from the brightest midday sun to dim interiors. Images previously thought to be impossible to create without complex lighting set-ups or lengthy post-processing are now captured easily and faithfully with the D700, unleashing new and diverse shooting possibilities.

Also new to the D700 is Nikon’s first self-cleaning system designed for the FX-format sensor. Utilizing four distinct vibration frequencies, the D700 frees image degrading dust particles from the sensor’s optical low-pass filter at start-up, shut-down or on demand. As an added benefit, the mirror box and entire shutter mechanism are constructed of materials that resist creating debris that can affect image purity.

Fastest speed and autofocus in its class The D700 starts up in a mere 0.12 seconds and has a nearly imperceptible shutter-lag response time of 0.40 milliseconds, making this an extraordinarily responsive tool for the demanding photographer. The D700 can record full-resolution JPEG images at an astounding five frames per second (fps), or eight fps with the optional MB-D10 battery pack for up to 100 images, or up to 17 lossless 14-bit Nikon NEF (RAW) files. To write images efficiently, the Nikon D700 is also compliant with the next-generation of high-speed UDMA CompactFlash cards that will enable recording speeds up to 35 megabytes/second.

The D700 offers one of the fastest and most accurate advanced AF systems on the market today. Nikon’s Multi-CAM 3500FX autofocus sensor module features 51 AF points and the ability to use 3D tracking to focus and lock-on a moving subject. The 15 cross-type sensors and 36 horizontal sensors can be used individually or in groups, with the option for Single Area AF mode and Dynamic AF modes using groups of either 9, 21 or all 51 focus points. The system also features 3D Focus Tracking with automatic focus point switching that takes advantage of all 51 AF points as it uses scene color content and light information to accurately track the subject.

Intelligent features for sophisticated performance The D700 relies on a wealth of innovative Nikon technologies to help photographers create superb images. Nikon’s Scene Recognition System analyzes information from the 1,005-pixel RGB light sensor for use in auto exposure, auto white balance and autofocus calculations. The Scene Recognition System also assists autofocus by tracking subject position and automatically shifts the AF points used to match the subject’s movement within the frame. This system also contributes to higher accuracy of auto exposure and auto white balance detection, resulting in sharp landscapes, flattering portraits and engaging action shots.

Photographers also have the option to enhance their pictures during or after capture with the Picture Control System and Active D-Lighting. Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. D-Lighting uses localized tone control technology to further optimize highlight and shadow detail while also maintaining natural contrast, giving photographers the ability to capture more perfectly exposed images, even in unusual lighting conditions. Active D-Lighting lets photographers choose from various intensities during capture, while a new Automatic mode also applies varying levels of D-Lighting as, and when needed, to enhance photos while shooting.

Enhanced Live View modes and viewfinder Ideal for studio, remote applications and more, Nikon’s Live View allows the photographer to compose the subject on the bright three-inch, TFT LCD monitor. In Handheld mode, the user is able to recompose the frame prior to actual shooting; familiar TTL phase-detection AF is activated, using all 51 AF points. Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. It enables focal-plane contrast-detect AF on a desired point within a specific area. Remote view, focusing and shooting can also be controlled from a PC (via connection or wireless) using the optional Nikon Camera Control Pro 2 software. Additionally, the Virtual Horizon feature on the D700 can now be superimposed over the Live View monitor image to aid composition.

While using Live View to compose or review images and settings, users will appreciate the ultra-high resolution 920,000-dot VGA, three-inch TFT LCD monitor with tempered glass that provides a wide 170-degree viewing angle. The large monitor is remarkably effective when confirming the focus with enlarged playback images. The camera also outputs a video signal to an HD television using the new smaller HDMI-C standard, which is an excellent solution for workshop demonstrations or shooting tethered for clients.

Photographers will also be able to compose images easily using the wide and bright viewfinder that features an eye-level pentaprism with high refraction index and provides a 95-percent frame coverage with 0.72x magnification. Each of the 51 AF points, as well as a framing grid, can also be superimposed on the finder screen to suit the photographer’s personal preferences.

Rugged construction and durability High-strength magnesium alloy is used for the construction of the camera body, rear body and mirror box to create a precision platform, reduce weight and provide rugged durability. The camera is tested to stand up to the rigors of the globetrotting photographer and is weather sealed using precision O-rings where connections are made to effectively combat dust and moisture.

The shutter unit employs an assembly made of a new composite carbon fiber and Kevlar hybrid material. Tested on fully assembled cameras, the D700’s shutter unit has been proven through 150,000 cycles under demanding conditions. The self-diagnostic shutter constantly monitors and maintains shutter precision to ensure peak performance.


Product Description
The new D700 digital SLR camera featuring a 12.1-effective megapixel Nikon FX-format sensor that measures 23.9 x 36mm, which is nearly identical to the size of 35mm film. Benefiting from Nikons legacy of imaging technology innovation, the D700 offers both advanced and professional photographers stunning image quality, accurate color reproduction and revolutionary low light performance.Building on the immense success of the Nikon D3 professional D-SLR camera, the D700 offers pro-level performance and an extensive array of features and innovations in a comfortably nimble platform. In addition to the Nikon-original FX-format CMOS sensor, the D700 incorporates Nikon's EXPEED Image Processing System, Nikons renowned 51-point auto focus system with 3D Focus Tracking and two Live View shooting modes that allow photographers to frame a shot using the camera's three-inch high-resolution LCD monitor. The D700 also features Nikons sophisticated Scene Recognition System and a new active dust reduction system.Nikons flagship FX and DX-format cameras, the D3 and D300 respectively, established new benchmarks for digital image quality, speed, and unmatched ISO performance. The D700 maintains this new measure with exceptional overall image quality, broad tonal range and depth, and extremely low noise throughout its native ISO range of 200 to 6400.
Taken From Manythings